Giselle's Books

Insula, Theo Casciani – Release
co-organized with Sissi Club
from 6PM, 21 February 2026
Giselle’s Books · Marseille (Convalescents)

Insula, Theo Casciani
A conversation with Lucas Ferraço Nassif
moderated by Francesco Leto

co-organized with sissi club
7 – 9PM, 21 February 2026
Giselle’s Books · Marseille (Convalescents)

Typography and confection by Marie-Mam Sai Bellier
Bergamot candy by Kévin Laouar (Confiserie Lefèvre Lemoine, Nancy)
Die-cut stamp by Thomas Noël
Photography by Tom de Peyret

Théo Casciani is an author. Born in 1995, he studied humanities and social sciences at SciencesPo. and mathematics at Panthéon-Sorbonne University, in Paris, before joining La Cambre, in Brussels, where he is now a lecturer. Retina, his first novel, was published by Éditions P.O.L in 2019 and will be out in English and Polish in 2026 on HELA Press. His fictions, translated into different languages and awarded several prizes, have been presented through multiple forms in France and abroad, including WIELS [BE], Reference.Point [UK], Kyoto Art Center [JP], Centre Pompidou [FR], Montez Press [US], Spielart Festival München [DE], Terranova [SP], Théâtre National de Chaillot [FR], KW [DE], Beyeler Foundation [CH], Goldsmiths [UK], Soto [JP], LG Arts Center [KR], Palais de Tokyo [FR], Göteborg Opera [SW], Actoral [FR], Lafayette Anticipations [FR], Trauma [DE], Spazio Maiocchi [IT] and the Louvre [FR]. He has also contributed to publications such as AOC, Kaleidoscope, Alphabet, Klima, Habitante, Possession Immédiate, 90antiope, Magma, Mouvement, European Review of Books and The Brooklyn Rail. These texts have led to various collaborations, for example for projects with Damien Jalet, Dominique Gonzalez-Foerster, Arca, Jonathan Glazer and the Chair of Narrative Medecine at Bordeaux Hospital, residencies at Villa Médicis, Providenza or Hôtel Experimenta and a research seminar in Belgium, in 2021. His second novel, Insula, has been published by P.O.L in January 2026.

Francesco Leto is a writer and translator. The author of several novels published in Italy, he is notably the translator of the work of Guillaume Dustan, whose discovery he helped introduce to the Italian public. His work explores the sensitive territories of desire, memory, and language, with particular attention to bodies and minority voices.

Lucas Ferraço Nassif holds a Ph.D. in Literature from the Pontifical Catholic University of Rio de Janeiro. He is a researcher at the Cinema and Philosophy Laboratory, part of the NOVA Institute of Philosophy, and a member of the Portuguese Center of Psychoanalysis. He is also the director and editor of the films Reinforced Concrete, Being Boring, and Unfamiliar Ceiling/The Beast; as well as the author of Missing Links, published by Barakunan, and awarded the Best Monograph of 2023 by the Association of Moving Image Researchers (AIM) in Portugal. In 2025, his book Unconscious/Television was published by Becoming Press.

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Bulletin B – Issue 2

Bulletin B is a bilingual editorial project gathering artistic and cultural productions from Korea and its diasporas, with a focus on queer and womxn voices. Borrowing the spirit of an...

The Column #1
by Emma Bombail
19 December 2025 – 18 February 2026
Giselle’s Books · Marseille (Korsec)

The Column #1
by Emma Bombail

19 December 2025 – 18 February 2026
Giselle’s Books · Marseille (Korsec)

Emma Bombail
Explain Emotion, 2025
Digital color print, 30 x 45 cm
Edition of 5

The Column #1: Emma Bombail, Explain Emotion, 2025.
Installation view, Giselle’s Books (Korsec)
The Column #1: Emma Bombail, Explain Emotion, 2025.
Installation view, Giselle’s Books (Korsec)


Emma Bombail is an artist, writer, doubter, and co-organizer of the PROPAGANDA reading series. She is currently studying English-speaking literature in Paris, France.

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Bulletin B – Issue 2

Bulletin B is a bilingual editorial project gathering artistic and cultural productions from Korea and its diasporas, with a focus on queer and womxn voices. Borrowing the spirit of an...

The Column #2
by Samuel Haitz
21 February 2026 – 17 April 2026
Giselle’s Books · Marseille (Korsec)

The Column #2
by Samuel Haitz

21 February – 17 April 2026
Giselle’s Books · Marseille (Korsec)

« I just made a show of rephotographed pages from a magazine I bought at a second-hand bookstore in Brussels. I got a few publications there, each cost around 10 euros. All of them were sealed in plastic, so I could only base my decision on the cover and back. The edition for Giselle’s is a reproduction of the back cover of the magazine I used as source material for my exhibition at Pech in Vienna. On it, two male models are depicted in perfect equilibrium. This material feeds a very specific kind of desire: one that never leaves the realm of fantasy. The most exciting thing is not doing it. »

Samuel Haitz

Samuel Haitz
Equilibrium, 2026
Inkjet-print on poster paper,  118.9 x 84.1 cm
Edition of 25 + 5 AP.


Samuel Haitz is a Swiss artist. His work addresses the legacies and concepts of artistic practice, as well as desire and its projections. He has held solo and duo exhibitions at Pech (Vienna, AT, 2026); GROTTO (Berlin, DE, 2024); Triangolo (Cremona, IT, 2024); All Stars (Lausanne, CH, 2022, with Julie Beaufils); Sangt Hipolyt (Berlin, DE, 2022); Cabaret Voltaire (Zurich, CH, 2021); and Plymouth Rock (Zurich, CH, 2019), among others. Group exhibitions include Halle für Kunst Lüneburg (Lüneburg, DE, 2025); Good or Trash (Paris, FR, 2025); Clearing NY/LA (Basel, CH, 2025); Triangolo (Cremona, IT, 2024); Swiss Art Awards (Basel, CH, 2024); Etablissement d’en face (Brussels, BE, 2024). In 2025, he was a resident at WIELS (Brussels, BE) and was awarded the Kunstkredit Basel Prize.

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Bulletin B – Issue 2

Bulletin B is a bilingual editorial project gathering artistic and cultural productions from Korea and its diasporas, with a focus on queer and womxn voices. Borrowing the spirit of an...

Giselle Salon 3
co-organized with Maria Jooyoung
19-21 December 2025
Giselle’s Books · Marseille (Korsec)

Giselle Salon 3

Giselle Salon 3
co-organized with Maria Jooyoung

with

51 Personae
Aprilsnow
Fold Unfold
Display Distribute
LIGHT LOGISTICS
Limestone Books
Loneliness
Manyi Chan
Mediabus
Moroyoung
Multiple Spirits
Nomad Papaya
Workroom

19 – 21 December 2025
Giselle’s Books · 10 Rue Maurice Korsec, Marseille.

Giselle Salon 3

Giselle Salon is back with an edition co-organized with editor Maria Jooyoung focusing on small publishing initiatives across Asia.

From Friday onwards, this will be a rare occasion to catch titles of a dozen publishers working across diverse formats, languages, and contexts. Bringing together independent presses from East and Southeast Asia, the edition highlights how small publishing operates as both a creative practice and a critical infrastructure -one that responds to local urgencies while remaining deeply interconnected.

The selection spans artist books, experimental print, theory, fiction, and hybrid publications that often circulate outside mainstream distribution channels. Through the lens of small-scale publishing, the salon foregrounds collaboration, translation, and alternative modes of circulation, offering visitors a chance not only to browse and purchase books, but also to encounter the ideas, communities, and labor behind them.

Limited quantities
All proceeds go to publishers 🫶

Giselle’s Books
10 Rue Maurice Korsec, Marseille

Friday 19th December from 6PM
Saturday 20th & Sunday 21st from 2PM

51 Personae

51 Personae is a self-sustaining independent art publishing project, believing that publishing is both an urgent and valid artistic practice. It places special emphasis on life experiences in Asia and the Third World, as well as marginalized voices under suppression, exploring the contemporary forms, possibilities and potential of “realism” in art as expressive actions.

Aprilsnow

Aprilsnow Press is a small publishing house based in Daegu, Korea. Launched in the year 2013, it publishes a small number of books per year, mostly photobooks. Run by design writer Kay Jun and book designer Jeong Jae-wan, Aprilsnow Press evolves around three keywords; photography, text and design. Having background in graphic design, both Kay Jun and Jeong Jaewan see publishing as part of their project of questioning the relationship between photography, text and design. Each book published by Aprilsnow Press is thus interpreted as a live platform of practicing the relationship of these three keywords.

Fold Unfold

Fold Unfold Press is a publishing house based in Taipei, Taiwan. It was created by Che Yeh with the intention of verbing publications, producing and distributing moments that printed matters fold and unfold themselves.

Occasionally, people will find them at bookfairs, in the neighborhood, curating shows and hosting gatherings.

Display Distribute & LIGHT LOGISTICS

Display Distribute is a thematic inquiry, distribution service, now and again exhibition space, and sometimes shop operated by a roving cast of conceptual shop girls and co-conspirators. Seeping via the capricious circulation patterns of low-end globalisation into other subaltern networks and grammars, Display Distribute’s long-term, experimental infrastructure LIGHT LOGISTICS has recently delved into a ‘courier-torial’ approach to socio-material assembly and production, manifest via recent appearances with Winona (with LIN Yezi; Brussels, BE), Greylight Projects (with XIANG Junhao; Heerlen, NL), and lumbung Kios (with Krista JANTOWSKI; international). Elaine W. Ho was LIGHT LOGISTICS Courier of the Month for August 2016, and has been carrying ever since.

Limestone Books

Limestone Books is an art book shop, library, RISO printing workshop, publisher and community space, with a particular focus on non-Western perspectives and underrepresented voices. It was founded in 2022 in Maastricht, The Netherlands, by a curatorial collective consisting of Jhen Chen, Liang-Kai Yu, Emily Shin-Jie Lee, HSIEH I Hsuan, and Chang YuHsin. We envision ourselves as a bookshop, but not in the traditional profit-driven sense. Instead, we view the economic perspective as a focal point where we can practice radical experimentation within the art publishing sphere.

Loneliness

Loneliness Books is a bookstore and publishing house that collects books and zines from across Asia addressing queerness, gender, feminism, loneliness, and solidarity, with a focus on weaving together the small and often overlooked voices of the region. Its distinctive selection offers insight into Asia’s diverse cultures and social movements. By valuing individual voices and fostering encounters with the stories of unknown others, it seeks to create spaces and publications through which those experiencing loneliness may find a sense of warmth and solidarity.

Manyi Chan

An essay investigating the uncanny similarities between the process of ‘frying an egg’ and ‘taking a photograph’. Framed through sociologist Herbert Blumer’s theory of ‘symbolic interactionism’.

Mediabus

Mediabus is a small publishing house based in Seoul, founded in 2007 by designers and planners. It engages in publishing and distributing various forms of art-related publications while also organizing exhibitions, workshops, and other events. Since March 2010, it has been operating The Book Society, a bookstore and project space in Seoul. Through this platform, it not only sells independent publications but also hosts study programs, artist and designer talks, and other events. Since its inception, mediabus has participated in various art book fairs across Tokyo, New York, Berlin, Paris, London, Bangkok, Singapore, Shanghai, Taipei, and Sharjah, among others. Through these activities, it introduces and distributes Korean art books and independent publications internationally.

Moroyoung

“Moroyoung” is a publishing project founded in 2024 in Taiwan and focusing on the works of young Taiwanese creators in politics, landscapes, and unique scenic aesthetics of Taiwan and East Asia. The name “Moroyoung” is derived from the Taiwanese word “bô-lōo-iōng,” meaning “not useful,” a common criticism from elders towards young artists in Taiwan.

Multiple Spirits

Multiple Spirits is a bilingual queer feminist art zine based in and emerging from Japan. The term “queer” is used as a temporary umbrella, indicating a sense of discomfort with a society structured around heterosexual norms. This provisional usage reflects the aspiration to develop new languages and vocabularies capable of articulating spaces and possibilities that have not yet come into being but are nonetheless necessary.

The project situates itself within the historical continuum of feminisms and understands feminist thinking as a means of dismantling discrimination related to gender, sexuality, race, ethnicity, and class within society. This approach seeks to counter narrowed interpretations of feminism that have been historically distorted in Japan and internationally by gender essentialism. Feminist thinking is not treated as a fixed or prescriptive identity; rather, it is understood as a practice aimed at dismantling historically and socially constructed identity fictions and fostering political yet fluid subjectivities.

Multiple Spirits functions as a space for practicing these ideas and for developing new languages for artistic expression. “Queer feminism” is approached as a site of boundary-crossing—across nations and sexualities—evoking a state of suspension, akin to waiting in an airport before departure, while remaining grounded in the physical and social realities of embodied existence.

Nomad Papaya

Nomad Papaya BOOKS is an art book and zine publishing house focusing on transition of culture(s) and identit(ies), based in Taiwan and Germany.
The founder started questioning the notions of identity & nationality but get really confused by himself, so he decided to make art books and collaborate with people, try (not) to answer and form new ideologies and relations.
What is changing when you cross the border, leaving your own history/home behind?
Can encounter form new Identities ?

Workroom

Workroom Press is a publishing house and graphic design studio. Launched in 2006, it has mainly published books in the fields of art, design, literature, humanities, music, and fashion. Since 2013, it has run a joint imprint, Workroom Specter, with Sulki and Min.

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Bulletin B – Issue 2

Bulletin B is a bilingual editorial project gathering artistic and cultural productions from Korea and its diasporas, with a focus on queer and womxn voices. Borrowing the spirit of an...

One Night Stand
with Slow Reading Club
from 6PM, 21 December 2025
Giselle’s Books · Marseille (Korsec)

One Night Stand

with
Slow Reading Club

21.12.2025 – from 6pm
Giselle’s Books · Marseille

Slow Reading Club (SRC) is a semi-fictional reading group initiated and run by Bryana Fritz and Henry Andersen.
Since 2016, in numerous contexts, they have rehearsed alternatives to the kinds of reading they were taught in school, actively suppressing semantic content through strobe lights, strange postures, sociality, and toxins.
Operating at the contact zones between reader and text, text and text, reader and reader, they attempt to build a practice from within the unstable space of reading itself.

Répondeur is an extensive account of SRC’s practice in collective reading sessions, exhibitions, and textual bootlegging. Imagined as a scroll, with a rhyme structure and typesetting by Will Holder, the book brings together facsimiles of SRC readers, a wide-ranging interview by Alicja Melzacka, new texts by Joyelle McSweeney and Bill Dietz, and visual work and translations by SRC. These discrete elements are interwoven into a complex, shimmering whole, delighting in the ruptures and elisions of one text’s move into the next.

Slow Reading Club: Répondeur, with Alicja Melzacka, Joyelle McSweeney, Bill Dietz, designed by Will Holder. 2025, Published by Occasional Papers.

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Bulletin B – Issue 2

Bulletin B is a bilingual editorial project gathering artistic and cultural productions from Korea and its diasporas, with a focus on queer and womxn voices. Borrowing the spirit of an...

Bangkok Art Book Fair
5 – 7 December 2025
Bangkok Art & Cultural Centre · Bangkok, Thailand

Bangkok Art Book Fair

5 – 7 December 2025
Bangkok Art & Cultural Centre · Bangkok, Thailand

Bringing together diverse voices at the intersection of artistic publishing, activism, academic research, and community practices, the Bangkok Art Book Fair aim to build a dynamic network; connecting independent publishers and art book enthusiasts across the region, fostering collaboration, and expanding the ways knowledge and creativity are shared. The 7th edition of Bangkok Art Book Fair is themed ‘You Can Sit With Us,’ recognizing that art books and independent publications are more than just print—they are spaces of gathering, exchange, and shared experience.

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Bulletin B – Issue 2

Bulletin B is a bilingual editorial project gathering artistic and cultural productions from Korea and its diasporas, with a focus on queer and womxn voices. Borrowing the spirit of an...

Bulletin B – Issue 1

Bulletin B – Issue 1

Edited by Maria Jooyoung

The first issue of Bulletin B presents contributions by multimedia artist Kwon Heesoo, an essay by Zhou Ruixin, archival material from Halla Pai Huhm, and poems by Lee Hyemi, translated by Lee Joan.

Publisher:  GISELLE’S BOOKS
Release date: 25TH NOVEMBER 2025

1ST EDITION OF 500
Format: 31 x 22 cm

ISBN : 978-2-9598312-2-5

price: 12 €

PUBLISHED BY GISELLE'S BOOKS

Taipei Art Book Fair
21 – 23 November 2025
Huashan Creative Park · Taipei, Taiwan

Taipei Art Book Fair

21 – 23 November 2025
Huashan Creative Park · Taipei, Taiwan

Since 2016, Taipei Art Book Fair (草率季) has brought together creators, publishers, independent bookstores, and artists from around the world each year. The fair showcases a diverse array of printed materials, including magazines, photography collections, and art books, alongside creative works, artistic projects, and the unique spirit behind each creation. It is a large-scale collaborative platform that interweaves publishing, learning, art, space, and experience.

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Bulletin B – Issue 2

Bulletin B is a bilingual editorial project gathering artistic and cultural productions from Korea and its diasporas, with a focus on queer and womxn voices. Borrowing the spirit of an...

Bulletin B – Subscription

Bulletin B – Yearly Subscription

Edited by Maria Jooyoung

Bulletin B is a bilingual editorial project gathering artistic and cultural productions from Korea and its diasporas, with a focus on queer and womxn voices. Borrowing the spirit of an unofficial newsletter, it surfaces when it needs to; assembling poetry, prose, and cultural fragments across time. 

Rooted in translation as a practice attentive to power, history, and silenced voices, Bulletin B reconstructs fragmented lineages and constellations of reference through irregular acts of dissemination and exchange, tracing how narratives move between languages, contexts, and material forms.

Publisher:  GISELLE’S BOOKS
Release date: 25TH NOVEMBER 2025

1ST EDITION OF 500
Format: 31 x 22 cm

ISBN : 978-2-9598312-2-5

Subscription price: 36 €
Minimum of three issues per year
ADDITIONAL ISSUES INCLUDED

PUBLISHED BY GISELLE'S BOOKS

Paris Internationale
22-26 October 2025
Rond-point des Champs Elysées · Paris

Reading of Retail Therapy, 2025, by Jess Cole with at Giselle's Books, Marseille, 07.09.2025.

Binds

with

Thomas Cap de Ville
Heike-Karin Föll
C. Heppworth
Martin Laborde
Simon Popper
Frederik Worm

22 – 26.10.2025
Paris internationale · Rond Point des Champs-Élysées, Paris

Installation view, Binds, with Thomas Cap de Ville, Heike-Karin Föll, C. Heppworth, Martin Laborde, Simon Popper, Frederik Worm Giselle’s Books at Paris Internationale, Rond-Point des Champs Élysées, Paris, 22-26 October 2025.
Thomas Cap de Ville, Book 8, 2020. 11 x 24 x 10 cm, mixed media.
Heike-Karin Föll, reference as form, 2025. 29,5 x 21,5 x 3,5 cm, paper, cardboard, fabric.
C. Heppworth, Yes, 2012-2025. 29 x 1003 x 0,3 cm, paper, tape.
Martin Laborde, Reloaded and combinatory (Magazine #2), 2024. 24 x 32 x 1 cm, mixed media.
Martin Laborde, Reloaded and combinatory (Magazine #7), 2024. 21 x 28 x 2 cm, mixed media.
Simon Popper, Disappointing Circles, 2025. 26 x 33 x 0,5 cm, acrylic, paper. Edition of 10.
Frederik Worm, Intimacies of a Continent, 2024. 23 x 30 x 4 cm, paper.
Frederik Worm, Rest No Friend (for Rune), 2025. 17 x 26 x 12 cm, paper, plastic.

Thomas Cap de Ville

Thomas Cap de Ville, lives and works in Paris.
His practice draws from the notion of inner worlds and the collection of objects as an obsession. Traces are what constitutes the primary ressource of his work to pay tribute to teenage years and young adulthood of the late nineties and early 2000 counter-culture. Accumulating souvenirs, keeping and reminding them is a way of romanticizing his own existence and celebrate life. The artist tells us in his work stories of fraternity, erotic adventures and trips under the influence. His books, photographies, drawings and movies forms his life’s archives. His installations take the form of altars, gathering these small objects that became talismans and illustrate the social organisation of a generation. His videos of nocturnal walks put on the appearence of ritual dances.
Thomas Cap de Ville started out in fashion and created videos in collaboration with various musicians such as La Chatte. His work was then part of collective projects such as at the Fondation Cartier (Paris, 2011). He inaugurated his first solo shows at Goswell Road (Paris, 2017 and 2019). In 2020 he was an artist in residence at Confort Moderne (Poitiers) where he presented his first institutional personal exhibition. His work has been shown since in solo exhibitions at Exo Exo
(Paris, 2021 and 2022) ; Galeria Miroslav Kraljevic (Zagreb, 2022) and in institutional group exhibitions at CRAC Alsace (Altkirch, 2024) ; CRÉDAC (Ivry-sur-Seine, 2024) ; Kunsthalle Praha (Prague, 2023) ; FRAC Corsica (Corte, 2023) and group shows in galleries, at Mendes Wood (Brussels, 2022) ; Colette Mariana (Barcelona, 2022) ; Galerie Hussenot (Paris, 2020).

Heike-Karin Föll

Heike-Karin Föll is a Berlin-based artist. She works with the materiality and mechanics of painting and language, treating textuality as equally a vehicle of content, a visual motif and a material form. Heike-Karin Föll’s work investigates the dissemination of visual art focusing on new media dispersion methods that aim to make her work widely accessible. Her practice includes paintings, books, prints and texts. Her work is held in several international public collections, including Museion Bozen and Fonds d’art contemporain, Paris. Her work is represented by Oskar Weiss Gallery, Zürich and Emanuela Campoli, Paris and Milano. Heike-Karin Föll is professor for Contemporary Art in Theory and Practice at Berlin University of the Arts (UdK). After having degreed Fine Arts at Academy of Fine Arts Stuttgart and UdK Berlin, she contributed to several major exhibitions, as artist, author and curator, including documenta X in Kassel, DE (1997). She taught at Academy of Fine Arts Karlsruhe, Merz Academy Stuttgart, Freie Universität Berlin (FU), and UdK Berlin.

C. Heppworth

C. Heppworth is an artist working with magazines. 

Martin Laborde

Martin Laborde lives and works in Nice, France.
From 2017 to 2024, his studio located in Lisbon, was hosting episodic instalments of Ampersand – a program he co-founded which has been kept in operation fostering friendships and numerous collaborations. Ampersand is currently itinerant (Ana Jotta, Marian Goodman, 2025; Jean Painlevé, Culturgest, 2024).  He is also among the three editors of the journal octopus notes.
His work has been presented recently at Mala and FarO (Lisbon), Treize (Paris) as well as with gallery Air de Paris (Romainville and Monaco). He is currently working on a publication gathering years of collages to be published by Dope Press (Los Angeles), Giselle’s Books (Marseille) and Daisy (Paris) including, among others, texts by Wayne Koestenbaum, Oscar Tuazon, and Marie Canet.

Simon Popper

Simon Popper lives and works in San Francisco, USA.
His selected solo exhibitions include Artist of the Day, selected by Rut Blees Luxemburg, Flowers Gallery, London (2018); [ear for EAR], FILET, London (2015); Mistaking Your Finger for the Moon While Pointing at It, 4 Cose, London (2014); Double show with Alessandro Raho, Hats Plus, London (2009); The most, the best, we can do, we believe (wanting to give evidence of love), is to get out of the way, leave space around whomever or whatever it is. But there is no space!, Rachmaninoff’s, London (2008); For the Birds, Galleria Lorcan O’Neill, Rome (2008); Park Night with Céline Condorelli, Serpentine Gallery Pavilion, London (2008); Funguys, White Cubicle Toilet Gallery, London (2008).
Selected group exhibitions include: The Protagonist, Belmacz Gallery, London (2025); Blank. Raw. Illegible… Artists’ Books as Statements (1960-2022), Leopold-Hoesch-Museum, Düren, Germany (2023); Mushroom, Somerset House, London (2019); Publishing as an Artistic Toolbox: 1989-2017, Kunsthalle Wien, Vienna (2017); Bodikon, Belmacz Gallery, London (2016); Das wäre doch nicht nötig gewesen, Baeckerei, Berlin (2016); Everything is About to Happen (Porto): Artists’ Books and Editions, curated by Gregorio Magnani, Serralves Museum of Contemporary Art, Porto (2016); Accadrà Domani, curated by Gregorio Magnani, Museo Marino Marini, Florence (2015); The Library Vaccine, Artists Space, New York (2014); Paper, curated by Keith Coventry, SMAC Gallery, Cape Town (2014); Puppet Show, Grundy Art Gallery, Blackpool (2014); Everything is About to Happen, curated by Gregorio Magnani, greengrassi, London (2014); Puppet Show, curated by Tom Bloor and Céline Condorelli, Eastside Projects, Birmingham (2013).

Frederik Worm

Frederik Worm is a visual artist and photographer whose practice frequently involves collaboration with other artists, writers, and musicians. His work explores the conditions under which art is produced, owned, and distributed, often challenging traditional modes of authorship and presentation. Worm works across a range of formats including slideshows, live performances, and printed matter. His recent presentations include Kunsthal 44Møen (DK, 2025), Haus am Waldsee (DE, 2025), New Theater Hollywood (US, 2025), UKS – Unge Kunstneres Samfund (NO, 2024), Den Frie Centre of Contemporary Art (DK, 2024), Berlin Atonal (DE, 2023), and Cafe Oto (UK, 2023).

Giselle’s Books would like to extend its gratitude to Galerie Oskar Weiss, Exo Exo and Paris Internationale.

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Bulletin B – Issue 2

Bulletin B is a bilingual editorial project gathering artistic and cultural productions from Korea and its diasporas, with a focus on queer and womxn voices. Borrowing the spirit of an...