Giselle's Books

The Column #2
by Samuel Haitz

21 February – 17 April 2026
Giselle’s Books · Marseille (Korsec)

« I just made a show of rephotographed pages from a magazine I bought at a second-hand bookstore in Brussels. I got a few publications there, each cost around 10 euros. All of them were sealed in plastic, so I could only base my decision on the cover and back. The edition for Giselle’s is a reproduction of the back cover of the magazine I used as source material for my exhibition at Pech in Vienna. On it, two male models are depicted in perfect equilibrium. This material feeds a very specific kind of desire: one that never leaves the realm of fantasy. The most exciting thing is not doing it. »

Samuel Haitz

Samuel Haitz
Equilibrium, 2026
Inkjet-print on poster paper,  118.9 x 84.1 cm
Edition of 25 + 5 AP.


Samuel Haitz is a Swiss artist. His work addresses the legacies and concepts of artistic practice, as well as desire and its projections. He has held solo and duo exhibitions at Pech (Vienna, AT, 2026); GROTTO (Berlin, DE, 2024); Triangolo (Cremona, IT, 2024); All Stars (Lausanne, CH, 2022, with Julie Beaufils); Sangt Hipolyt (Berlin, DE, 2022); Cabaret Voltaire (Zurich, CH, 2021); and Plymouth Rock (Zurich, CH, 2019), among others. Group exhibitions include Halle für Kunst Lüneburg (Lüneburg, DE, 2025); Good or Trash (Paris, FR, 2025); Clearing NY/LA (Basel, CH, 2025); Triangolo (Cremona, IT, 2024); Swiss Art Awards (Basel, CH, 2024); Etablissement d’en face (Brussels, BE, 2024). In 2025, he was a resident at WIELS (Brussels, BE) and was awarded the Kunstkredit Basel Prize.

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